The term persona is derived from the New Latin, dramatas personae, which means the characters listed at the top of a literary play.
In literary theory the persona is the alter ego, the “I” who speaks in a poem or work of literature.
In ancient Greece, the persona was a mask worn by actors. The masking effect was achieved by rubbing clay or dyes on the face or by wearing actual masks made of bark.
Persona later referred to “person,” arguably semantically related to the New Testament phrase, “God is no respecter of persons” (Acts 10:34).
C. G. Jung’s use of the term persona points to our necessary social identity. In the Jungian sense, the persona is the convenient or appropriate ‘face’ that we show to the outside world.
The Jungian persona is not the true self nor is it the ego. But the persona serves a critical role in facilitating social interaction.
However, Jung and Jungians like Daryl Sharp say there’s a danger, as with the actor, in identifying with the persona once the performance is over.
One only has to think of the tragedy of the late Heath Ledger (1979 – 2008), who apparently was haunted by his demonic “Joker” character after the completion of the The Dark Night Batman film.
So it is, Jung would say with the psychological persona. To over-identify with it could be psychologically hazardous.
For religious persons, the persona is sometimes used in an attempt to convey a particular belief system held dear. Some Christians, for instance, apply personas not just for social convenience, but to try to “fish” for souls—i.e. to lead others to a spiritual knowledge of Christ.
As a tool for facilitating religious conversion, the persona becomes a kind of well-intentioned lure, in keeping with the idea that Christ makes his disciples “fishers of persons” (Matthew 4:19).
In addition, the persona is found in pop culture as a device when lyrics are spoken or rapped over music, as with Canadian musician Robbie Robertson in the song “Somewhere Down The Crazy River”:
Take a picture of this
The fields are empty, abandoned ‘59 Chevy
Laying in the back seat listening to Little Willie John
Yea, that’s when time stood still
You know, I think I’m gonna go down to Madam X
And let her read my mind
She said “That Voodoo stuff don’t do nothing for me.”
Likewise, Frank Zappa in the song “Camirillo Brillo” spoke over:
Is that a Mexican poncho or is that a Sears poncho?
In hiphop, rap and acid jazz music figures like Galliano, Guru and Kanye West make almost continuous use of this technique.
Guru, for instance, raps in “Living in this World”:
What’s happening.. check it out
It’s critical the situation is pitiful
Bear in mind you gotta find somethin spiritual
We never gain cause we blame it on the system
You oughta listen whether Muslim or Christian
or any other type religion or creed
Cause what we need is less greed










This kind of distance healing could be a single or complex, multi-layered issue.















