In contemporary usage the word “ticket” is slang for an alleged type of paranormal punishment or retribution for boundaries being crossed or other perceived transgressions.
In the song “Suffragette City” (1972) pop musician David Bowie uses the word “ticket” to denote a potential punishment to be meted out in response to another’s undesirable act:
“Don’t lean on me man, ‘cos you can’t afford the ticket.”
With much of Bowie’s work, there’s room for psychological, social and metaphysical interpretation. In this case its unclear whether Bowie is portraying paranormal or more ordinary forms of retribution. However, his creative genius often spawns lyrics connoting several levels of meaning. And in the 1970s Bowie used mind-altering substances which conceivably could have given him some kind of glimpse into the unknown.
If this sounds far-fetched, we’d do well to remember that Mexican shamans speak of different metaphysical planes or grids of spiritual power, and have been using hallucinogenic peyote for years. This fact was popularized by Carlos Castenada in The Teachings of Don Juan (1968) and in other Castenada books. So to suggest that the Caucasian David Bowie is necessarily any different could be seen as a kind of reverse discrimination.
Mind-altering substances aside, shamanic warriors in various cultures apparently need no drugs to enter a kind of inner space where subtle battles are fought, bringing about tangible effects in daily life. Whether or not these inner battles are just hallucinatory fabrications or real phenomena remains unknown because these kind of paranormal claims do not lend themselves to our conventional understanding of scientific experimentation.
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